Grave Goods by Ariana Franklin

The third in the Adelia Agular series, this historical transports you back to the 12th century and evokes the belief in the legends of Arthur and the hope of the Welsh that he would return. An absorbing read.

Famous Glastonbury Abbey has suffered a devastating fire, one which uncovered two strange skeletons, one tall and one smaller. Could these be the bones of King Arthur and his queen, Guinevere? King Henry is trying to put down a rebellion in Wales, and needs proof that these bones are or are not the bones of Arthur. If the rebels know that their mythical king will not be returning, he will be able to stamp out the rebellion. He calls up Adelia once again to examine the bones, and put lie to the rumor of Arthur. Adelia and her household leave Cambridge to travel to Glastonbury, where the Bishop of St. Albans, her former lover and father of her daughter, is overseeing the investigation of the fire. Her work is further complicated because much of the Abbey and the town of Glastonbury have burned, there are rumors of Arthur’s return, and several deaths caused by a roving, merciless band of outlaws that live in the forests around Glastonbury. In addition, her friend, the Lady Emma, who was traveling to her mother-in-law’s estate, has gone missing without a trace. Full of signs and portents, the mystery of an ancient king, and a courageous, intelligent woman, this is wonderful historical fiction.

Mistress of the Art of Death by Ariana Franklin

Every reader has a favorite time and place that they most enjoy reading about, and my favorite time is the Dark and Medieval Ages. Although the setting could be in any country, ancient England and France are far and away my favorite places. Must be something about wanting to be a princess when I was a little girl, you think? I enjoy strong women protagonists; a rarity of the time, so it was with great delight that I discovered Ariane Franklin's first novel, Mistress of the Art of Death, which follows an unusual woman with a forbidden skill. This is the first is a series about Adelia, the Mistress of the Art of Death.

An intelligent, mesmerizing novel that melds a forensic thriller with great historical detail. In Medieval Cambridge, four children have been sadistically murdered, their deaths blamed on the Jews. A worried King Henry II contacts the King of Sicily asking for their best doctor of death, and doesn’t exactly get what he asked for. Instead, he gets Adelia; a mistress of death; a doctor trained in Salerno, Italy, but still; a woman. However, she can discern, through careful examination of a body, how a person died. Problem is that women with medical skills were often seen as witches, so Adelia must deflect her doctoring talents onto a man; her traveling companion Mansur, a Moor. Her other companion is Simon, a Jew. Adelia’s skills, and the help of Ulf, a young but rough boy, his mother Glytha, and a tax collector named Sir Rowley Picot, lead them ever closer to the man responsible for the heinous killings, but then, too close. Simon is found drowned, Ulf is kidnapped, and Adelia must find him before he suffers the horrible fate of the other children. A great read that transports you back to the sounds, sights and smells of the early Plantagenet era with a vulnerable but spirited heroine.